
|
|
|
 |
Looking for more? Register your free account
to get posting access to thousands of topics.
JOIN TODAY!
|
|
 |
|
|
|
|
|
|
 |
| Author | Post |
|---|
Saint New Fanatic

| Joined: | Fri Nov 17th, 2006 |
| Location: | |
| Posts: | 64 |
| Status: |
Offline
|
| Mana: |     |
|
Tue Mar 13th, 2007 08:05 pm |
|
If you haven't seen this gem of a movie, you are missing out on one of the most entertaining and interesting movies of all time. This little known movie documents the story of a vietnam drifter, who after accidentally knoocking out a police officer, is chased to the set of a movie being filmed by a manipulative, driven movie director, Peter O'Toole.
Although some people will tell you that other movies like "My Favorite Year" were better Peter O'Toole movies, I really consider this one as the definitive film for the actor.
As the young drifter goes through the process of becoming a stunt man for the film, you are treated to amazing behind-the-scenes shots of what it is really like to be a worker on a major movie set.
The film itself is full of terrific scenes of WWI biplanes, beach fights, car chases and an awesome action sequence that takes place running across the rooftops of a massive chateau. Insane helicopter flying is also readily apparent, but by far best of all is the interaction between the director and his new stunt man.
One of the lines tells it all:
"What have you been feeding that guy?"
"It's not about what he's eating, it's about what's eating him!"
Part black comedy, part action movie, part philosophy picture...all riveting entertainment.
The movie has won a ton of awards:
http://www.imdb.com/title/tt0081568/awards
but even more telling than the three oscars it was nominated for are the five Golden Globes it was nominated for. This is a movie that people love after watching it and want to watch it over and over again.
This was director Richard Rush's dream project and it took him nine years to get it on the screen. And, of course, it would! It's multi-layered, original, funny and packed full of story and circumstance that makes you think.
Why would any studio want to touch it? Fox even sat on it for two years before giving it a limited release. Now, Anchor Bay has created the ultimate DVD and I urge you to buy it. The Stunt Man is a movie you'll never forget and even on its umpteenth viewing, still manages to be as intriguing as the first.
It is a story told from the view of Cameron (Steve Railsback), a Vietnam vet on the run from the law. He stumbles onto the set of a WWI movie and accidentally kills a stunt driver. The director of the movie is the eccentric and megalomaniacal Eli Cross (Peter O'Toole, in one of his best ever performances), who takes Cameron under his wing and protects him from the police, as long as he keeps his mouth shut about the accident.
Cameron practices to be a stunt artist and takes the place of the man he killed. But as the movie shoot becomes more elaborate and dangerous, he falls in love with the leading lady (Barbara Hershey) and starts to suspect that Eli is trying to capture his death on film.
Although it seems nasty, the movie is wonderfully light-hearted and the outrageous stunt scenes are backed up by a joyous score by Dominic Frontiere. I've been humming that theme since I was 12-years-old. A long scene with Cameron running over a rooftop, as biplanes attack and enemy soldiers give chase, is the stuff of legend. There is a great comic sense of humor in watching them trip over each other, fall off and get blown up.
The police do not back down on their suspicion of Eli and, through half-heard conversations and eavesdropping, Cameron's paranoia becomes increasingly justified. Because the movie is seen through his eyes we never quite know what is going on with Eli. Is he a madman, or just a crafty director? Would you believe that O'Toole based his performance on his experiences with David Lean? Why he never won an Oscar - it went to Robert DeNiro for Raging Bull - is beyond me. He truly gives the performance of his career, far exceeding even Laurence of Arabia. It also sucks that Rush never won for Director, or Adapted Screenplay. Had he been awarded the golden statuette, maybe he would have received more recognition. He's clearly a better filmmaker than most of today's hack artists.
You simply have to see The Stunt Man. It's an overlooked gem and, despite the wide praise it received, it has never really reached a large audience. Now is definitely the time to rediscover this forgotten classic.
10 out of 10
(And I don't give that rating lightly!) :D
Last edited on Tue Mar 13th, 2007 08:11 pm by Saint
____________________ Polymath
|
 Current time is 04:46 am | |
|
| |
|
 |
|
|
|
|